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I just received

August 28, 2000 by Michael Boyle

the September-October issue of Artbyte in the mail and there is no longer any doubt about it: it’s the best magazine going on the subject of digital culture etc. It used to be too focused on art stuff before – not that arts coverage is a problem, obviously it’s the starting point for the mag. But now it does a better job of extending from the aesthetic to more general cultural, social, and political arenas. And in a way it lives up to McLuhan’s idea that artists are probes into the future, something I think is true.

Although I like mags like the Industry Standard (and some of the other net-biz-porn mags), they don’t tell me anything about what’s in the pipe – it’s all about what has happened. When they try and predict, they’re almost always wrong. After all it was one of those pubs that said – not two months ago – that “obviously” drkoop.com would be the great success story in the consumer internet space? Uh, not. Artbyte features great writers, great thinkers with a real provenance as commentators on these issues (like Geert Lovink, for example), and of course looks gorgeous.

Tags: Arts, Culture, Internet, Space, Writers

Found!

June 14, 2000 by Michael Boyle

Time's Cyberporn
Today when packing up some stuff I found the following gems:

  • My old issues of Mondo 2K, lovingly preserved. I stumbled upon the first issue I ever bought in a corner store in Prince Albert, SK, of all places.
  • My copy of Time Magazine‘s ridiculous and shameful Cyberporn issue.
  • a draft copy of Latvia’s official citizenship law circa 1994, pre-passage – “Confidential, not for distribution”
  • The 1997 Ars Electronica catalogue.
  • An early copy of Shift Magazine, before they’d moved to New York, before they started covering net culture. Back when it was still a literary journal with a round logo and 24 pages. Back then, practically every writer in Shift had gone to McGill with me.

Tags: Culture, New York, TV

I watched

June 1, 2000 by Michael Boyle

a documentary tonight called The Source. It was very very good in many ways, and although to a great extent I’ve gotten over my young man’s fascination with Kerouac, Ginsberg, Burroughs, and the rest, I still believe them to be absolutely central to a lot of what we consider “contemporary” North American culture – including “digital culture”. You can draw a straight line, for instance, from Kerouac to the EFF, and it’s not that long a line (Kerouac — Cassidy — Garcia/Weir — Barlow).

Rabbit Rabbit

Tags: Culture, EFF

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