about a big Apple-related event at EMI Music this morning, and without more advance notice than that, we found out today that EMI Music will be selling DRM-free superior sound quality downloads across its entire digital repertoire, starting in May. I doubted that Apple would ever sell DRM-free music alongside regular, but it’s obvious now that the two-fer – no DRM and improved sound quality – sets a high enough bar for Apple to do this in ITMS. I suppose it’s important that the distinction be greater than just DRM/No-DRM (or price).
On the DRM front,
On the DRM front, Apple’s Steve Jobs published a remarkable open letter yesterday called simply, Thoughts on Music. The article comes at a time when a) Apple is under increasing pressure from European consumer groups to allow ITMS-purchased music to play on unauthorized devices (i.e., other than iPod); b) Microsoft has left its multi-manufacturer system in the dust with the launch of the Zune; and c) there have been reports that the majors themselves have been considering distributing non-protected music.So there’s lots of context in which to fit Jobs’ statement.
I have always thought that Apple’s commitment to DRM of any kind was executed with a pretty obvious wink-and-a-smile. If Apple had been more serious about it, there are all kinds of things that it could have done but didn’t do – things that the Zune has (stupidly) built in to the device that limit what people can do not only with Microsoft-purchased music but all music.
So now Jobs has come right out and said it – if the majors will change their licensing contracts with Apple, Apple would welcome the opportunity to sell unfettered music to its customers.
There has been a lot of commentary on this about the implications of this to the DRM story, but what I find most fascinating is that one of the chief implications of this is that Apple is saying that it believes that the iPod and iTunes and the integration of the two is so superior that it is willing to compete on no other basis. Even more: it’s saying that they already HAVE been competing on that basis (and not just through tie-ing), and no matter who has entered the market, Apple has remained dominant.
This is a pretty remarkable thing, if you think about it. Apple is (and, according to its possibly self-serving numbers, always has) competed and won on interface and integration alone. This marks a new aggressiveness on Apple’s part, a new willingness to not only define but to move markets, and to compete on Apple core values.
What I wonder is how this translates to the PC world, particularly with Leopard (Mac OS X 10.5) right around the corner? After all, if the iPod can win on interface and integration alone, could not their still-flagship product? Will this new aggressiveness and confidence spill over to the (more complicated) PC side of things?
PS: I don’t think the European suits are even a small threat to Apple. Even if the consumer groups were to win, they can’t force Apple to unilaterally change their contracts with suppliers (the major labels), so the only result will likely be to force the closure of ITMS in the countries where they are successful.
PPS: I would be surprised if the very reason Apple has been so successful with the iPod is also the reason they will never implement non-DRM downloads alongside others that are encumbered by DRM. To Apple, and I tend to agree, the status of ITMS downloads should be and will remain an all or nothing game – All-DRM or not – to reduce the overall complexity of the system for users.
has seemingly not been a hit on campus: Free, Legal and Ignored (from the Wall Street Journal). Sampling only works if it’s a product people want.
File sharing and the Canadian
music scene: New paradigm opened market to new music. The Toronto Star’s Christopher Hutsul on the real center of new music in Canada. “After last’s week’s Junos, it dawned on me that the only real threat to music in Canada is the ongoing glorification of pablum over art.” I think Hutsul overstates the impact of non-official downloads, but his comments on the overall environmental change in the music biz are right on the money.
Cory Doctorow is so
outraged by the Sony/BMG EULA that it even prompts him to say good things about Apple’s iTMS! He’s right though – “Does a company that makes you agree to terms like these, a company that infects your computer with malicious software, seem competent to offer a service directly to the public?”